— Welch’s Floating Opal —
by Meg Andrews
COPYRIGHT© 2010-2018 MEG ANDREWS. ALL RIGHTS RESERVED.
I have vivid
childhood memories of looking through my mother’s jewelry box and being
transfixed by her floating opal earrings. Time seemed to stand still as I
turned them over and over to see their fascinating displays of color and motion.
Recently, after purchasing an enchanting double floating opal necklace, I found
myself transfixed once again. And I began to wonder: who had created such an
intriguing and unusual form of jewelry, and when was it first made? Little did
I know that finding the answers to those simple questions would take months of
research, and would lead to the discovery of a quite remarkable and nearly
like a miniature snow globe, the floating opal is essentially comprised of
small chips of opal encased in a liquid-filled glass orb. Although floating opals are still manufactured today, the jewelry we recognize as vintage reached
the peak of its demand in the 1950s, ’60s and ’70s. Floating opal jewelry, in the form of pendant necklaces and earrings, was enormously popular during that period and was manufactured by innumerable companies. Surprisingly though, it was
decades earlier that the floating opal was first introduced. And
remarkably, its inventor was not a jeweler, but a 50-year-old,
Stanford-educated, patent-holding mechanical engineer. Beginning
in 1920, in a venture that would take him through the rest of his life, Horace
H. Welch patented, perfected, manufactured, and marketed his
invention—transforming it, and himself, along the way.
Horace H. Welch: Mechanical Engineer/Inventor
One has to wonder
what would prompt a man, whose previous patents included carburetors,
speedometers, fuel indicators, an early car alarm, and a mechanical pencil, to
invent and patent a process for manufacturing jewelry. Was it a mid-life
crisis? Was it a woman? The truth is that we may never know. What is known is
that within two years of receiving his first patent for what would become the
floating opal, Horace Welch left a seemingly successful career in Chicago and moved to
New York City to begin manufacturing and selling his “Gem.”
Welch was born in 1871, the second son of a country doctor, in La Cygne,
Kansas. Census data show the family living in Kansas through the year 1885, but by 1900, much of his family had moved to Los Angeles, California. Within that time frame, Horace attended Harvard University for a year (1892-93) and graduated from Leland
Stanford Junior University (1897) with an A.B. degree in physics. Little is
known of him from that time until August of 1910, when at the age of 39, he
filed for his first patent. In that application for the patent of a ”Speed Indicator,” Welch acted as assignor to the Stewart-Warner Speedometer Corporation of Chicago. In the following years
through 1920, Welch applied for no less than thirteen1 mechanical and electrical
patents from various locations including Chicago, Detroit, Los Angeles, and
That Horace was an
intelligent man is without question. One has only to read the multitudinous
pages of his 24 known patents to observe his quite brilliant and meticulous
mind. His dramatic pen style revealed also a great capacity for showmanship and
promotion — qualities that would serve him well in the jewelry industry. Because
he never married and lived so far away from his California relatives, living
family members know little of him but do report that the family considered him eccentric.
The Development of The Floating Opal
For an accurate timeline of the development of “The Floating Opal,” it is best to look at the patents2 in the order that they were filed rather than when they were
issued. (See chart.) Welch’s first application for what would become the floating opal was
filed in January of 1921, and was entitled simply …“Gem.” It was approved
swiftly by U.S. patent standards in June of 1922 and given the number 1,421,329.
The patent was very
general in nature and consisted of a single page of drawings and only two and a half
pages of description. In flowery language, Welch wrote that his invention
pertained “to a novel and pleasing type of gem or jewel adapted for many and
varied uses, particularly in the production of jewelry.” He mentioned opals
only in passing, and described instead that the shell could be filled loosely
with “the well-known sparkling granular ‘metallics’ of the trade,
or...crumpled pieces of gold leaf, tinsel or the like.” He stated that the
jewelry could be made with or without liquid using a single loose gem or a
number of display elements, and he included the rather impractical examples of
a ring and a strand of beads.
Even before that
first patent was granted, a May 1922 publication of The Stanford Illustrated Review
noted its alumnus as follows:
’97-Horace H. Welch, mechanical engineer, originally of Los
Angeles, and for the last few years of Chicago,
has invented and patented more
than twenty mechanical devices for electrical and other machinery.
One of his
latest inventions is a heavy colorless liquid in a tiny glass globe holding
minute bits of
colorful opal to be used for cheap rings and necklace
There, for the first time, was the commitment to opals and necklace pendants. Sometime in the
year and a half between his patent application and that publication, Horace’s
tinsel-filled novelty had made the leap toward becoming a floating opal. Just
how he came to conclude that opal fragments should be the display elements is
hard to guess. It is likely that he was searching for something attractive yet inexpensive, as his goal was to produce a new and cheaper form of “high-grade” jewelry. The opal, with its history of being both prized and shunned, was
enjoying a new wave of popularity, and owing to its fragility, fragments were “common and of low cost.” Whatever it was that led Horace to the opal, his
subsequent applications show a definite shift in focus and a significant
concentration on displaying the opal’s colors most advantageously.
Apparently, there were initial production problems related to the gem’s fragility and its tendency to
break. In August and November of 1924, Welch filed his second and third patent
applications, in which he detailed the necessary improvements and added many very specific enhancements. In contrast to the first, these applications were quite
voluminous and present strong evidence that Welch had growing concerns about
protecting his invention. Although he offered a multitude of variables, several
essential elements emerged that came to comprise the floating opal as we know
and in simple form, those elements were:
introduction of the bubble within the globe as a necessary air space that
allowed for the expansion of the liquid without fracturing the glass housing.
method for constructing a second smaller chamber above the main display chamber
that allowed the liquid to expand, and
served to trap the bubble where it could be hidden. (Ever the engineer, Welch
referred to this two-chamber model as “double globular.”)
introduction of glycerin as the liquid suspension. While Welch stated that a
variety of liquids could be used, he concluded that glycerin enhanced the
brilliancy of the opals, provided the ideal viscosity for motion, and acted as a preservative of the chips.
(Research confirms that glycerin was and is the industry standard.)
preference for using the relatively new invention3 of Pyrex® glass as
the housing. Not only did Pyrex® provide a stronger housing, but
when used in combination with glycerin (which has a similarly high refractive
index), the two virtually disappeared to produce the “illusion of a unitary
second and third applications did not enjoy the same swift approval as his
first. (One would take almost 8 years and the other nearly six.) Apparently at the request of the Patent Office, Welch filed yet another
application in November of 1925. That fourth application was a division of his
still pending second application. (A division is usually requested when an
application contains too many ideas.) Other patent struggles were revealed in a
1929 U.S. Court of Claims ruling, which disclosed that the Patent Office had rejected
some of Welch’s claims and denied his subsequent appeals. That 1929 ruling
reversed the Patent Office’s denial and in the following three years, Welch’s
pending applications were finally patented.
years after his first floating opal patent, 1930 census data showed Welch
living in Manhattan. At age 59, his occupation was listed as “jeweler.” His
transformation was complete. He had chucked his engineering career to
wholeheartedly embrace his jewel invention. Somehow, even with a deepening
depression and several patents still pending, he had managed to successfully
produce, promote and sell the floating opal.
After his 1922 patent, Welch wasted no time getting to the production and sale of his floating opal jewelry, and all indications are that it was a hit. In the spring of 1924, newspaper fashion articles and display ads appeared heralding floating opals as a fascinating new mode. In 1926, jewelry store display ads were touting the floating opal as “a gem worthy the treasure chest of a queen.”
accounts, the H. H. Welch Company4 was a modest operation with a small manufacturing facility. It is likely, in fact, that
Welch produced many of the floating opals himself. He apparently enjoyed success
selling his invention to jewelry stores nationwide and he continued to promote
it as a “new jewel” well into the 1930s. His final floating opal patents were
issued in 1931 and 1932, and there was another big promotional push at that time including a brief article in Scientific American magazine.
Probably as a result of the Great Depression, demand seems to have dampened by
the late 1930s, and the ads and articles appeared less frequently.
continued to produce floating opals until his unexpected death in 1947. The
1940s had not been without challenge. As early as 1943, Coro began advertising
a line of “genuine floating opals” and Welch did what any patent holder would do: he sued for patent infringement.
Sadly, the suit was not settled until 1951, and Horace did not live to see it.
After his death, his brother and nephew spent months in New York working to
settle the estate. They sold the business to Robert Rose and as late as 1966,
H. H. Welch, Inc. was still listed in the Jeweler’s
Circular Keystone as a supplier of floating opal jewelry.
twenty-seven years after the floating opal’s first appearance, Welch’s final
patent expired, leaving the door open to any and all manufacturers. And they
did not hesitate to step through it. Newer technology allowed faster production
and floating opals proliferated the market. No longer limited to jewelry
stores, floating opals were widely available and sold in department stores
nationwide. Perhaps remembering their mothers’ floating opals, women embraced
this “new” jewel with zeal. Floating opal jewelry became a popular bridal
accessory, and many wedding announcements included statements like, “the
bride’s only jewelry was a floating opal pendant,” or “the bride wore a pair of
floating opal earrings, a gift from the groom.”
Horace Welch had no way of knowing that his floating opal would continue to be
appreciated, coveted and manufactured into the 21st century, I am certain that
he knew it was something quite extraordinary. Using his scientific knowledge,
keen mechanical mind and dogged persistence, he combined glass, glycerin, and
some broken opals to construct an enchanting new jewel. The Floating Opal was
his masterpiece and its creation showed that this eccentric engineer had the
heart of an artist.
Dating, and Assessing Welch’s Floating Opals
The Cap Markings
floating opal pendants* can be identified and dated by the markings on their
decorative caps. (Necklace
chains should not be used for identification purposes as they were often
supplied by the retailer.) All
of Welch’s early pendants were set in fine gold and the gold content (14K or
18K) is marked on the cap. The early caps are also marked with patent
information and that is how they can be dated.
Caps marked “PAT. 6.27.22” date from 1922 to 1929. These are the
earliest floating opals.
Caps marked “PATS. PEND.” were probably manufactured between 1929 (after the U.S. Court of Claims ruling) and
1931. Welch would have used this mark as he waited for his second, third and fourth patents.
Caps marked “PAT. 10.13.31,” refer to Welch's patent 1,827,695 and were made after October 13, 1931 and into the 1930s.
Caps marked simply “PAT.” most likely date after the final patent date
of March 22, 1932.
very probable that Welch’s floating opals continued to be marked with some form
of patent information until 1949, when the last patent expired.
There are other Welch’s floating opals with cap styles different than those I have shown. However, all that I have seen have been marked in one of the ways listed above.
never seen a Welch floating opal ring although jewelry store ads indicate that they
were manufactured through the early 1930s. I assume that they too, would have
been marked with patent information.
Another Surprise—Invisible Solids
Welch’s third patent application, I was surprised to discover that he
recommended adding “invisible solid parts,” in the form of bits of Pyrex®
glass, to the opal chips. He stated that this addition decreased the cost and
that because the parts essentially became invisible, they spaced the gems and
improved their beauty by “increasing the number of reflecting gem surfaces.” Close
examination does confirm “invisible” bits of Pyrex® glass floating among the
opals. I am hopeful that invisible solids were exclusive to Welch’s jewelry and
will provide an additional way to identify his pieces. (I do not see any invisible
solids in my mother’s floating opal earrings, which were made by Opalite.)
A Note About the Bubble
eyes, the bubble is a flaw and the truth is that Welch felt the same way. With
his “double globular” design, Welch was able to hide the bubble under the
pendant cap (he used another method for rings). In addition, he attempted to
make the passage between the two chambers narrow enough to keep the bubble in
top chamber and thus prevent “the evil appearance of the otherwise useful air
belief is that any bubble in a floating opal reflects damage and that it
detracts from the value. While a very large bubble is an indication of
leakage and should be avoided, I would argue that in these early pieces, the
theory of trapping the bubble was probably much easier than the actual
practice. As handmade jewelry, floating opals suffer the human touch and are all
the sweeter for it. Although attempts were made to keep it from sight, many a
bubble has escaped its chamber and can be seen when a pendant is lying prone or
held inverted. It is important to remember too that some of Welch’s pendants are close to
90 years old and the fact that they have survived at all should weigh heavily
in their favor.
1 There is a good deal of incongruity regarding the number of patents Welch received. I found a total of 24, issued to our Horace Welch between 1910 and 1935, but there could be more. Surprisingly, there is more than one patent-holding Horace Welch. I was able to discount the others, including Horace Welch of Selma, Alabama, and Horace H. Welch of Earlville, New York, by using census data.
2 The article in Scientific American magazine states that Welch is the inventor of the floating opal and "possesses five patents covering it." I could only find four floating opal patents issued to Mr. Welch. He did re-file his still pending second application in February of 1931, so it's possible that he considered it the fifth patent.
3 Pyrex®, a borosilicate glass, was a relatively new product, having been introduced to America by Corning Glass Works in 1915.
4 According to Dorothy Rainwater's book, American Jewelry Manufacturers, H. H. Welch of New York, New York, is referenced in the 1931 Keystone, and the 1943 Jewelers' Circular Keystone as the manufacturer and patentee of "The Floating Opal."
CLICK HERE FOR PAGE TWO: A FLOATING OPAL QUICK GUIDE
This article, in condensed form, was originally published in
the Winter 2010 Costume Jewelry Collectors International quarterly magazine
(Volume 1, Issue 4).
Special thanks to Horace Welch's great nieces, Nancy and
Laurel Ann, for their help in piecing together this story. Thanks also to Marc
Stonberg (Opalite, Inc.) for sharing his knowledge of the
floating opal industry.
Floating Opal jewelry photography by Gary Simmons.
Rainwater, Dorothy T., American
Jewelry Manufacturers, Schiffer Publishing, Atglen, Pennsylvania, 1988.
The Keystone Jewelry
Trade Mark Book. The Keystone Publishing Company, Philadelphia, Pennsylvania,
"An ‘Assembled' Jewel,"
Scientific American, Vol. 147, No. 4, Scientific American Publishing
Company, New York, New York, 1932.